Starting on your first anniversary with the card, you’ll get a free annual-night reward, plus up to two more based on your spending. Key perks: Annual free night reward up to $200 in annual flight credits up to $400 in Hilton Resort credits annual $189 CLEAR Plus credit complimentary diamond elite status.Welcome bonus: 180,000 points after spending $6,000 in the first three months.Bonus rewards: 14x at Hilton hotels and resorts 7x on select travel and dining at U.S.it would open up a whole new world of possibilities : ) since clock and direction is also track independent, you could play the same pattern but at different speed in different tracks. Patterns would not have to be locked to one track, but could be played by another synth or clade in another channel, simultaneously if one wishes. chaining patterns together is somewhat necessary to make a longer piece or music that does not just loop, and working with a 800 row or so deep track is just no good. separating these two things would make it so much more powerful as a sequencer. as I understand it now, yggdrasil uses “tracks” both as “channel” on a mixer, and as “pattern” in most trackers (or “midi clip” in ableton live for instance). I understand this would be a big thing to implement, since (I think) it would have to involve a whole other level to the whole script. The final thing on my wishlist is quite big, but i feel it would be a very powerful and important tool: some type of track chaining/pattern matrix. perhaps this could be done simply by synth rikki enc enabling control for rikki only? or just X synth enc looks like there’s plenty of space under VEL in the editor for a row of PHEN : )Īnother thing I’d love to see implemented is being able to assign K2 and K3 to just one synth voice, rather than always controlling macros for all voices at the same time. I would also love to be able to input phenomenon commands inside the editor, so I don’t have to count X and Y on the tracker grid to find where I want to input a command. perhaps it could only work while “done” is being displayed in the editor. I think being able to double tap enter after entering a new note and being back in the full track view would make sense. it would enhance the workflow tremendously.Ī minor but sweet workflow enhancement would be able to use “enter” as “esc” if no change has been made inside the editor. while I understand yggdrasil is built upon a slightly different concept, something that I’d absolutely would love to see implemented is a keyboard-as-piano mode, where one could navigate across all tracks with the arrow keys and input notes directly into slots without having to open the editor. it’s possible to program in arpeggios, beats and melodies really quick using the arrow keys + the computer keyboard as a piano keyboard. One thing that I love about trackers is their speed of use. y mode interaction somehow enables another way of thinking for me compared to other trackers, and having individual clock, depth, jump and play direction of each track/channel individually rather than per project basis is so much fun (it’s similar to lsdj I suppose, but for some reason I feel the visualisation here more naturally opens up to playing around more with track phasing, polyrhythms etc). been an avid tracker user since 2002 or so (modplug, lsdj, famitracker, fasttracker2, lpgt, triplex, milkytracker, tfm music maker, renoise etc), and it feels like a fresh take on the concept. Okay, here’s a quite lenghty post with appreciation and some user ideas and input : )īeen spending more time with yggdrasil lately, and as I’ve said before: I absolutely love it.
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